![]() ![]() PROQUEST AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. ![]() The translations are automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. ![]() This functionality is provided solely for your convenience and is in no way intended to replace human translation. You have requested "on-the-fly" machine translation of selected content from our databases. For Napier this idea not only highlights the global influence of. The author begins by invoking Joseph Nye's notion of soft power, the political capital that accrues from the appeal of a nation's aesthetic and cultural productions. Napier sees considerable continuity between these movements, but concludes that contemporary fandom is distinct from what has come before. This makes Napier's recent book on Japan fans in the West a logical continuation of her earlier work, but the current book's scope is a rewarding surprise: it starts with the nineteenth-century Japonisme and devotes half of its chapters to Japan fads that predate anime. Today there is growing interest not only in anime's narratives and visuals, but also in the context in which these texts are produced and consumed - that is, their fans. Susan Napier's 2000 book Anime was an ambitious survey of anime genres that broadened academic interest in Japanese animation by arguing for the sophistication and significance of anime narratives. FROM IMPRESSIONISM TO ANIME: Japan as Fantasy and Fan Cult in the Mind of the West. ![]()
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